A few examples of appraisal values for
JOHN FORESTER

• JOHN SEMON (AMERICAN, 1852-1917),
  JOHN SEMON (AMERICAN, 1852-1917), FOREST INTERIOR Oil on board, signed at lower right, presented in a gilt frame with gallery plaque, retaining gallery labels to verso.
• JOHN FOX (BRITISH, 19TH/20TH CENTURY),
  JOHN FOX (BRITISH, 19TH/20TH CENTURY), WOODED LANDSCAPE WITH FIGURE Oil on canvas, late 19th century, signed lower right, presented in an antique gilt frame.
• John Deforest Stull American 1910-1972
  John Deforest Stull American 1910-1972 Urban Landscape watercolor on paper unsigned 16 1/2 x 24 in. framed Estimate $ 70-100 Frame wear. Paintings have not been examined by blacklight.
• John Deforest Stull American 1910-1972
  John Deforest Stull American 1910-1972 Figures in a Park watercolor on paper unsigned artist's name scratched on board on verso 10 1/2 x 16 in. framed Estimate $ 70-100 Frame wear. Paintings have not been examined by blacklight.
• John Deforest Stull American 1910-1972
  John Deforest Stull American 1910-1972 Two studies for water scenes pen and ink with wash on paper each unsigned 9 x 12 in. each framed Estimate $ 70-100 Paintings have not been examined by blacklight.
• John Deforest Stull American 1910-1972
  John Deforest Stull American 1910-1972 Abstract Composition oil on canvas signed and dated ''D. Stull '41'' 20 x 16 in. framed Estimate $ 200-300 Frame wear. Paintings have not been examined by blacklight.
• John Deforest Stull American 1910-1972
  John Deforest Stull American 1910-1972 Modernist Landscape oil on canvas signed and dated ''D. Stull '45'' lr 28 3/4 x 36 in. framed Estimate $ 200-400 Water staining on canvas on verso frame wear. Paintings have not been examined by blacklight.
• DE FOREST (JOHN) STULL (AMERICAN,
  DE FOREST (JOHN) STULL (AMERICAN, 1910 - 1972), OIL ON CANVAS, ABSTRACTED STILL LIFE, A CANDLE IN A TALL BOTTLE ON FLOOR IN FRONT OF...De Forest (John) Stull (American, 1910 - 1972), oil on canvas, abstracted still life, a candle in a tall bottle on floor in front of table with white cloth and wide vase of branches, a pipe sits beside the vase, signed and dated '44 lower left, contained in a painted wood frame in complementary colors to canvas, wear consistent with age, some cracking throughout, small white paint drips near top edge of canvas. ss: 34 1/4" h. x 24 1/2" w.
• John Deforest Stull American 1910-1972
  John Deforest Stull American 1910-1972 ''The Poet'' oil on canvas signed and dated ''D. Stull '41'' lr 39 1/2 x 36 in. framed Estimate $ 300-500 Craquelure frame wear. Paintings have not been examined by blacklight.
• John Deforest Stull American 1910-1972
  John Deforest Stull American 1910-1972 ''Metaporhosis'' oil on canvas titled on stretcher on verso signed and dated ''D. Stull '47'' lr 34 1/2 x 42 3/4 in. framed Estimate $ 400-600 Craquelure frame wear. Paintings have not been examined by blacklight.
• John Sturgess (British, Active
  John Sturgess (British, Active 1869-1903) "A Hunting Meet in a Village", pastel and graphite on paper, sight 11" x 16", signed lower left. Glazed, handsomely matted and presented in a giltwood frame.
• John Cunning (American, 1889-1953)
  John Cunning (American, 1889-1953) Forest Path oil on artist board signed "John Cunning" lr 16 x 12 in., framed
• JOHN FIELD & EDWARD FORSTER, (2)
  JOHN FIELD & EDWARD FORSTER, (2) SILHOUETTES John Field (British, 1771-1841), Male Portrait, c. 1820, black ink with gilt highlights, faintly signed "J Field" lower left, artist and sitter information inscribed verso, 3"h x 2.5"w (sight), 5.5"h x 4.5"w (frame); Edward Foster (British, 1762-1864), Portrait of Edward Upham, Mayor of Exeter, c. 1809, black ink with gilt highlights, sitter and artist information inscribed verso, 3"h x 2"w (sight), 5.75"h x 4.75"w (frame)
• John Deforest Stull American 1910-1972
  John Deforest Stull American 1910-1972 Family oil on canvas signed and dated ''D. Stull Jan. 27 1943'' lr 36 1/2 x 28 3/4 in. framed Estimate $ 300-500 Paint loss flaking frame wear. Paintings have not been examined by blacklight.
• John Jon
  John Jon
• HEYWOOD HARDY (1842-1933): HORSE
  HEYWOOD HARDY (1842-1933): HORSE AND RIDER Oil on canvas relined signed and dated 1913 lower right inscribed on reverse Portrait of Capt. F.W. Forrester on Denis Aubern 6 years Winner of the Hunters Sweepstakes at Croxton Park April 10 1913. 36 x 28 in. (sight) 40 1/4 x 30 1/4 in. (frame). Note: Captain Francis Forester had horses and hounds in his blood. An avid sportsman winner of countless steeplechases throughout England and France and was master of the Quorn from 1905-1918 Captain Forester was the preeminent huntsman of his time. Nearly impossible to capture his likeness unless on horseback Captain Forester's portrait by Haywood Hardy depicts him at the Hunter's Sweepstakes at Croxton Park April 10th 1913 in which he placed first in his ancestral pink and black stripes.
• After John Fernely (British 1782-1860)
  After John Fernely (British 1782-1860) Hunter Under Side Saddle Equestrian Scene Oil on canvas late 19th century unsigned; 14 x 17.25 in. Property to benefit the H. Leslie Perry Library Henderson NC Condition: Relined.
• GEORGE F. FULLER (American 1822-1884).
  GEORGE F. FULLER (American 1822-1884). FOREST SCENE signed verso. Oil on board. Double sided - Framed 8 1/2 in. x 6 1/2 in.
• John Deforest Stull American 1910-1972
  John Deforest Stull American 1910-1972 Modernist Interior oil on canvas signed and dated ''D. Stull '46'' lr 34 3/4 x 25 in. framed Estimate $ 300-500 Craquelure frame wear. Paintings have not been examined by blacklight.
• JOHN E. FERNELEY SR., ENGLISH 1782-1860,
  JOHN E. FERNELEY SR., ENGLISH 1782-1860, CHESTNUT, GREY HUNTER AND PONY IN A LANDSCAPE WITH A CASTLE IN THE BACKGROUND, OIL ON CANVAS, 45 1/2 X 57 3/4 IN. (115.57 X 146.69 CM.), FRAME: 51 X 63 IN. (129.54 X 160.02 CM.)JOHN E. FERNELEY SR., ENGLISH, 1782-1860 CHESTNUT, GREY HUNTER AND PONY IN A LANDSCAPE WITH A CASTLE IN THE BACKGROUND, Oil on canvas Lower right signed and dated: J. Ferneley / Melton Mowbray / 1838; verso labels Oil on canvas Dimensions: 45 1/2 x 57 3/4 in. (115.57 x 146.69 cm.), Frame: 51 x 63 in. (129.54 x 160.02 cm.) Provenance: Probably commissioned by the Archdeacon Croft 1838; The Sporting Gallery Inc. Middelburg; purchased in the1950s and by descent
• AFTER JOHN LEECH (ENGLISH, 1817-1864),
  AFTER JOHN LEECH (ENGLISH, 1817-1864), FOUR FOX HUNTING PRINTS FROM THE ADVENTURES OF MR. JORROCKS Hand-colored etchings, 19th century, presented in uniform matting and framing.
• John Stobart (American b. 1929)
  John Stobart (American b. 1929) photo off-set of the Natchez edition 579/750 22 1/2" x 32". ?
• John Deforest Stull American 1910-1972
  John Deforest Stull American 1910-1972 Landscape with Buildings oil on canvas signed and dated ''D. Stull '45'' lr 36 x 41 3/4 in. framed Estimate $ 400-600 Indentation paint loss flaking frame wear. Paintings have not been examined by blacklight.
• John Deforest Stull American 1910-1972
  John Deforest Stull American 1910-1972 Abstract Still Life oil on canvas signed and dated ''D. Stull '46'' ll 27 1/2 x 21 in. framed Estimate $ 200-400 Craquelure frame wear. Paintings have not been examined by blacklight.
• After John Jam
  After John Jam
• After John Jam
  After John Jam
• John Seerey-Lester (British/American,
  John Seerey-Lester (British/American, 1946-2020) Desert Scavenger - Coyote, 1984 oil on canvas signed Seerey-Lester and dated (lower left) 15 x 30 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• Forest interior oil on canvas.
  Forest interior oil on canvas. 20'' H x 16'' W.
• John Syer (1815-1885) - Oil painting
  John Syer (1815-1885) - Oil painting - Harvest scene with figures to foreground and farm buildings and fields in a rural landscape canvas 11ins x 15ins signed and dated 1858 in gilt moulded frame
• JOHN MATHER, WC, BUSHFIREWatercolor
  JOHN MATHER, WC, BUSHFIREWatercolor painting by John Mather (Australian, 1848-1916) showing a wildfire. Signed at lower left and dated to January of 1905. Titled "Brushfire at Healesville" with inventory number 18. Sight size measures 9 1/2" x 13 1/4" framed to 17 1/2" condition. Mather was Scottish and migrated to Australia in 1878. He was a painter in oils and watercolors, as well as a prolific etcher. Leader of many artist societies in Australia, he was also associated with the plein-air artist camps that grew a late 19th century. Three of his works are owned by the National Gallery of Victoria. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• JOHN FINCHER, (B. 1941), EVENING
  JOHN FINCHER, (B. 1941), EVENING POPLAR, 1990John Fincher, (b. 1941) Evening Poplar, 1990, lithograph, printer's proof printed by Stephen Britko, chopmark lower left editioned in pencil, lower left: PP signed in colored pencil, middle right: Fincher '90 lithograph, printer's proof Dimensions: 30 x 22 in. (76.2 x 55.9 cm.) Provenance: Private Collection, New Mexico
• John Deforest Stull American 1910-1972
  John Deforest Stull American 1910-1972 Cityscape oil on canvas signed and dated ''D. Stull '50'' lr 28 3/4 x 36 in. framed Estimate $ 300-500 Frame wear. Paintings have not been examined by blacklight.
• After John Ferneley, Sr. (British,
  After John Ferneley, Sr. (British, 19th century) Four sporting-related aquatints: Plat
• John Jam
  John Jam
• John Linnell (1792-1882 British)
  John Linnell (1792-1882 British) End of the Day Farmer Returning Horses to the Farm
• JOHN W. L. FORSTER (1850-1938)
  JOHN W. L. FORSTER (1850-1938) CANADIANJohn Wycliffe Lowes Forster, "Portrait of Lillian Wilson Porter, Circa 1920s", oil on board, 18 ¾ x 16 ¼ inches, signed lower left and titled verso. Many of his works can be found at the National Gallery of Canada, in Ottawa.